Sunday, October 21, 2012

Prompt # 106 Part 1

Part One- 

It's nice to be on the edge of my bed writing this and not in the hospital bed. Rosie was a great guest prompter- and I got some pieces back that I haven't had time to respond to yet. I was exhausted yesterday and could only sit and sleep. This prompt will come in two parts too because I have to leave the house early this morning and go get mamogrammed. Unfortunate timing but I need to take care of it now. So there will be an unusual later prompt today with some actual meat to it. For now I am leaving you with this poem-  which caught my eye this morning- some great lines to write from if you choose. 

Thank you for your reading, your writing , your showing up for your own life. Thank you for all the good and kind wishes.



A Visit

BY MARIE PONSOT
“Fine bitches all, and Molly Dance...”
—Djuna Barnes
Come for duty’s sake (as girls do) we watch
The sly very old woman wile away from her pious
And stagger-blind friend, their daily split of gin.
She pours big drinks. We think of what
Has crumpled, folded, slumped her flesh in
And muddied her once tumbling blood that, young,
Sped her, threaded with brave power: a Tower,
Now Babel, then of ivory, of the Shulamite,
Collapsed to this keen dame moving among
Herself. She hums, she plays with used bright
Ghosts, makes real dolls, and drinking sings Come here
My child, and feeling it, dear. A crooking finger
Shows how hot the oven is.

(Also she is alive with hate.
Also she is afraid of hell. Also, we wish
We might, illiberal, uncompassionate,
Run from her smell, her teeth in the dish.)

Even dying, her life riots in her. We stand stock still
Though aswarm with itches under her disreputable smiles.
We manage to mean well. We endure, and more.
We learn time’s pleasure, catch our future and its cure.
We’re dear blood daughters to this every hag, and near kin
To any after this of those our mirrors tell us foolishly envy us,
Presuming us, who are young, to be beautiful, kind, and sure.

March 1958
Source: Poetry (October 2012).

Prompt # 105 in 2 parts with guest prompter Rosie

Part 1- 

I'm sitting in a scratchy sheeted hospital bed letters pushed into the phone in the dim light. My roommate on the other side of the curtain is on the phone.

Last night was firemen and women. Oh I love the fire people. I made one laugh against his will as they were tipping me into my room because he forgot to unfasten the strap that held
Me in the gurney. "Fireman bondage" I said.

That was before I started feeling really awful. Before the room got wavery and I couldn't really breathe and my chest got tight. Keeping this short.

I am waiting to do an echo stress. I just refused insulin. They like to "control" people's sugar and other things I didn't follow exactly. So I may do the stress test on an empty stomach
Oh boy. I haven't been kept over night in the hospital since I gave birth to my daughter. That same daughter who stayed with me all night. She stood guard and took notes and asked questions and chased down nurses.

She was amazing. I don't usually bring anyone with me to the hospital with me. Old stoic and I don't like people worrying. Last night was a little different. Last night was scary. Things did not feel right. My blood pressure was way too high. My heart beat was way too high and I just felt wrong. Underwater. Dizzy. Not right. 

Not right. 

I  have to finish this quickly. So that I can chill before the stress test. They wanted to give me a medicine to make my heart work really fast I said no. Exercise. That means I have to bring it to get my heart beat where it needs to go. So picture rocky music playing and an overweight me in my pink bra, hospital gown, gray boxers and my hat going fast and far enough to show them what they need to see. And I'll just be eating very tiny amounts of food since I can't take my meds and won't take the insulin. 

I just had a bit of something yellow that looked like eggs. But my god they don't taste like eggs. They don't taste like anything a person ought to eat. 

So things are looking okay today. Much less scary. Last night I actually called my partner and my sister just in case. Last night I appointed poor Jen the keeper of all of my writing so that my kids don't have to be traumatized by reading it. She said yes  thank goodness. Isn't it funny when my heart was beating like crazy and my blood pressure was crazy high and I was being poked full of holes and feeling so very wrong I worried about my writing and what would happen to it. I didn't want it to hurt my kids. So much dark writing that they don't need to see. All that writing and I was worried it would hurt my kids. 

Rosie joked that Jen would give her back a single, undark non traumatic sentence. 

So where are we? 

Hospitals. Alien scrambled eggs. Dirt everywhere. My god hospitals are dirty places. Fear and Panic and Acceptance and ..... I don't know. 

Part two I'm handing to Rosie- she's the guest prompter while I rest-  and the punctuation will be the poems. 



Hospitals are just, like, the pits. Let's get that said. I don't know if Renee mentioned that up there, I'm not going to bother reading her prompt until we're all cleared and home. 

She told me last night, through her short breath before she finally got some rest to WRITE THE PROMPT... and she is currently timing me... I think she likes you guys. 

So this morning when I stumbled into the bathroom after sleeping for a couple hours stretched out in two back wrecking chairs (welcome to my run-on stylings, readerwriters) I started thinking of things to write about. 

Like how I have a weird fear of hospital bathrooms... probably because the last time I was in one my body betrayed me by starting up that whole period nonsense.

And I guess bodies in hospitals are in the business of betrayal. 

Though that time my appendix burst I made a friends with my roommate and we shared finger puppet monsters and I ate more popsicles than anything else. Wins for a four year old. 

This prompting thing feels weird and clunky to me, especially with my brain decidedly not in the creative, my mind is ready only to remember symptom updates, what meds we're missing, when the cafeteria opens and to take that damn tangerine out of my bra, where I stuffed it last night to avoid setting it down anywhere in the hospital... though the plan was certainly not to forget it, sleep with it tucked between lace and skin and eat it hot and freaking gross this morning. 

I feel the need, because food is all I've thought about aside from the many little health care battles I'm having for Renee (and now also our roommate, apparently I"m on a roll) to tell you I ate a pancake bigger than my head this morning. And when the cafeteria tried to give me, '"healthy" sugar free syrup, I about threw a fit. 
They gave me real syrup after that. And hot sauce.  And bacon. 

This hospital keeps surprising me. (I'm sorry if you don't want to think about hospitals, 'cause you're out of luck here). 
Things that have surprised me so far:

-Mayo packets. It's hellmans. But they only have light. 

-The omlettes are better than the ones at my work. Also, there are omlettes.

-There's no latex. A relief. 
I still ask about everything they bring in. I don't think they like me too much. 

-I could give a crap about sexy firefighters. 

So, ya'll might want to make a list too. Or you might think that's dumb and go about your day. Whatevs. 
What has surprised you recently? Who do you not find sexy that you probably really should? 
What do you want to eat right now? Or in a crisis? 

Right now I'm missing a job try out for a pretty cool position. But that's not the part I care about. Around the corner from the restaurant I would be trying out at, is a little place called Doughnut Dolly. They have the best yeast raised, filled to order doughnuts I've had in my life. 

It's all I can think about. 

And now, because Renee is eyeing the clock and I need to go bug them about getting her some damn water (punks) I'll throw some hooks at you and hope something lands for you and your creative brains today. 

 
When she took off her bra, the note fell out... 

.... Ok, one is a couple, right? Use it. 

Rosie out. 

Sleeping with the Dictionary

BY HARRYETTE MULLEN
I beg to dicker with my silver-tongued companion, whose lips are ready to read my shining gloss. A versatile partner, conversant and well-versed in the verbal art, the dictionary is not averse to the solitary habits of the curiously wide-awake reader. In the dark night’s insomnia, the book is a stimulating sedative, awakening my tired imagination to the hypnagogic trance of language. Retiring to the canopy of the bedroom, turning on the bedside light, taking the big dictionary to bed, clutching the unabridged bulk, heavy with the weight of all the meanings between these covers, smoothing the thin sheets, thick with accented syllables—all are exercises in the conscious regimen of dreamers, who toss words on their tongues while turning illuminated pages. To go through all these motions and procedures, groping in the dark for an alluring word, is the poet’s nocturnal mission. Aroused by myriad possibilities, we try out the most perverse positions in the practice of our nightly act, the penetration of the denotative body of the work. Any exit from the logic of language might be an entry in a symptomatic dictionary. The alphabetical order of this ample block of knowledge might render a dense lexicon of lucid hallucinations. Beside the bed, a pad lies open to record the meandering of migratory words. In the rapid eye movement of the poet’s night vision, this dictum can be decoded, like the secret acrostic of a lover’s name.
and this one which will be familiar because it is comfort today: 

Inside

BY LINDA HOGAN
How something is made flesh
no one can say. The buffalo soup
becomes a woman
who sings every day to her horses
or summons another to her private body
saying come, touch, this is how
it begins, the path of a newly born
who, salvaged from other lives and worlds,
will grow to become a woman, a man,
with a heart that never rests,
and the gathered berries,
the wild grapes
enter the body,
human wine
which can love,
where nothing created is wasted;
the swallowed grain
takes you through the dreams
of another night,
the deer meat becomes hands
strong enough to work.
 
But I love most
the white-haired creature
eating green leaves;
the sun shines there
swallowed, showing in her face
taking in all the light,
 
and in the end
when the shadow from the ground
enters the body and remains,
in the end, you might say,
This is myself
still unknown, still a mystery.

Prompt # 104




A little fiction which is What I started with this morning because I never got to the writing yesterday. 

what brought you to this and who might take the blame,
and how to get from the open road to a sight of the open sea. 

No one ever took the blame. The dial on the plastic and cardboard life spinner 
always pointed at her. Sticky in the heat in Nevada City where nothing moved. No 
air stirred. Hot and dry. Red clay dirt everywhere, the dust of it coating her 
throat when they were outside playing. Her cousins would do anything to win, 
including cheat, winning was all. She did her best to win by never cheating except 
once when playing poker. She kept asking questions that made them think she didn't 
know how and bluffed her way to winning. 

She didn't believe in lying except when lying was the only way. She lied often to 
save herself. She lied about school, about what she was or wasn't thinking about 
what she'd eaten after school. They demanded the truth but they taught her how to 
lie from the beginning. Now she lies too easily and she doesn't even know why 
sometimes. 

Sitting in the uncomfortable chair across the table from the Police Officers who 
were dressed better than she was she rubbed her thumb across the swirly pattern of 
the fake wood table. Her hand got sticky. They weren't saying anything. They were 
looking at something in a file. A man and a woman. Both in suits. Hers was a lady 
suit Gracie supposed. Fancy though. Their smiles made her nervous. She knew they 
were fake smiles. She didn't have to be grown to know that. They were face lying 
she thought and then laughed. 

The police people looked startled then mad. Gracie laughed again, she couldn't help it. It was too late for tears anyway and too late for anything really. She wanted a grape popcicle or orange. She wanted the ice cold, the color on her tongue. She wanted the world to go away. She wanted to be outside standing in front of the ice cream truck making her choice with the rattle of enough coins in her pocket. She could get a fudgesicle too or a rocket pop. Maybe she could be an ice cream truck driver when she was old. She'd like that. Riding around all day making people happy plus all the popcicles she could eat. Gracie was aware that they were talking to her but she was all the way on the inside now, dreaming popcicle dreams and the outside couldn't get to her here. 


***

It's almost time for National Novel Writing Month. I do it most years and it's a lot of fun. I'm going back and forth trying to decide whether to work on the novel or write something different for relief and for fun. I won't know till I start writing. Nanowrimo goes fast. Sometimes so fast things get utterly nonsensical which is fun. N's motto when doing Nanowrimo is to kill someone or blow something up whenever you get stuck. I did that one year in a post apocolyptic novel that was the most writing fun I've ever had. I'm tempted to go that way again. It would be good to have fun with writing and not be so driven to this dark novely place. On the other hand it's 50,000 words I'll be writing and how could I not use that time to Novel. You've got the link now- I recommend it even if you are working full time. I didn't always hit 50,000 words but sometimes I did when I was working. It's good to try, especially if you can make it fun for yourself. 

I am reaching the point of being able to smell again. Right now my neighbor has finished his morning dump smoke (which is gross and comes right in our bathroom window), and now he's putting on cologne which is coming in the window too. That's in front of me. To the left side, Pot boy and his friends are smoking the skunkiest of weeds, The cat, surprisingly, smells fine. He's getting used to this prompt writing happening before he gets his food but he isn't happy about it. The rest of the house smells sour and will drive me crazy till I find the source of the sour. 

In the middle of all the smells-  I'm looking for balance. A day that has work in it and writing and walking and resting and time to cook broccoli and maybe those cranberry beans that R shelled a few days ago. I know nothing about cooking fresh beans from pods. I know dry beans and I know canned beans. R makes these delicious cranberry beans that I love. I don't have any idea what all she puts in them. We'll see. I get a little driven (or a lot driven) when I'm working on something. I tend to let it take me over till I'm lost like Gracie in her popsicle dreaming on the inside. I can't see anything else. I forget to eat or take the time to walk or just to take a break that's genuine. That isn't spent thinking about what has to be done next. 

That's one of the things I miss about physical labor, big muscle group and small muscle work that's fast enough that you can't get bored, like being a line cook. Everything is a challenge, things change as your pans get hotter or less hot, the tickets keep coming in, someone gets burned, the lights go out, the special tastes wrong because the owner put too much sage in it so you have to take your life in your own hands and whisper to the waitstaff to not recommend the special subtly. The great thing about it, besides that I loved everything about it is that there is a quitting time. You've done it. It's over now. Now you get your beer. You don't have to worry about the rest, it will be back soon enough. I need to learn how to get to quitting time. How to let go of everything and move on to the writing, or the walking, or the cooking or the resting. 

Still working on balance. It hasn't found me without tipping me off yet. Maybe I need to court it. Bring it flowers. Write it a love poem. 

Part of me thinks nobody ever made history for leading a balanced life. See this is what I love about writing. I didn't know till just this minute that part of me is snickering at balance. No wonder it doesn't like me. I am thinking that balanced isn't sexy at all. You don't hear people saying- oh that so and so- she is so Balanced! Wow. Well that explains a lot. I am sneering at balanced. Some part of me thinks it's noble to die for the job, all the jobs. Some part of me must think I'm a secret spy and the world will live or die based on what I accomplish today. 

I am laughing now like Gracie in the story. Laughing at myself and it's not mean laughter. There's relief in it too. I need to work on how I view balance. How I view self care. Because we don't get very far without those things or  you end up some kind of permanent broken and unable to work regular jobs or you wind  up some kind of dead because you didn't take care of yourself at all. 

What about you? Do you find balance in your life? Do you see the sexy side of self care?  How does it change the writing or does it change the writing if there has been good rest, good food, time to breathe? 

There is this old idea that we have to suffer to write. I have heard this most often from friends who have stopped writing and just gotten stuck in the suffering. My friend Joseph from long ago, stopped writing in favor of cocaine and then heroin. We never stopped arguing about the need to suffer. Suffering in one's life is great material but I think we can write from wellness too. I need to get the rest of my brain behind that idea because I clearly have a pocket of resistance. 

What does a balanced life look like? Is it even possible to be an artist and live a balanced life in this world? 

***

My friend Ami did a crow painting which I fell in love with yesterday. I love how she is making art when she's not making words. Making art for me is a little like the big muscle work I like and miss so much. It's quieter for me. I get dreamy and can rest a bit and I also work hard and get tired and it feels like a simpler work for me than writing. It makes me tired, makes me happy gives me juice for more art or more writing. I'm thinking I need more of that for balance. Art and paint and paper. Writing. 

When Emma and I do intense visual jouranling time, pant splashed hours can go by before we realize how hungry we are. We are not  balanced at all. We work till we are falling over sideways with hunger and fatigue and that giddy laughter that happens when you aren't balanced at all but having fun. 

Whether you are writing or making art today can you make some space for it? That belongs to you and you alone. Some balance between balance and the edge is good for writing I think. A push past what feels comfortable can take you further in the work, deeper in. Like running (god how I hated running) but there's a place in it where you push past what's comfortable and you are almost flying for a little while- Okay I liked that part- but hated all the rest. 

So if you can- set a time for a little bit longer today than normal. I know it's Tuesday. Why not? 
If you have to sprint it out little by little that's cool too. Make your total minutes a little longer.  The poem is the prompt today. If the poem doesn't work for you go on an image hunt- type in a word and sort by image and let yourself be pulled to one you like. If that doesn't work take a walk and write about the first three things you see or smell. Just pick a place and go. 

***

Aerialist

 
by Victoria Hallerman

Her life is the wire—she can never come down.
Sometimes she stops and sits on it to eat,
even sleeps there, her whole body stretched
as the wire is stretched. In sleep
she keeps her balance,
feet curled like a monkey’s
the habit of grasping:

she has never fallen.
She never will, not entirely.
Once in a while a slip
causes her to hang for a moment by her hands.
It isn’t the danger of falling that slices through her dreams
but the wire itself, drawing
a line through her body,
leaving a mark on the soles of her feet,

her buttocks, her back.
If she were to cut the wire (she dreams of this)
the sky would break like a mirror into the sea
and nothing would be whole again.
Virgin of the Apocalypse standing on a crescent moon,
she is keeping
Heaven and Earth apart.

Prompt # 103

Monday morning. Weird night. Strange dreams where I am carrying someone around in a bag. Shes not dead but she sure is heavy. I can still feel the weight of her.  Who was I carrying? My back actually hurts this morning. A dream so real my muscles flexed and moved to adapt to all that weight. I was trying to get the police to come and get her before she woke up. I can see her sleeping face, squished inside the bag- she was white and pale with wispy light colored hair. Her eyes were closed. She was dangerous to me and I was dangerous to her. I could have been carrying an iteration of self and I was done with her so waiting to get her someplace safe from her and me? It could have been anyone. A stranger. It's hard to imagine who I would carry so close to me that was dangerous to me and I to her.

Sounds like family. Or a lifetime movie. So family then. 

Writing right now through a deep breath and around a tooth pick. It's getting easier except for when it isn't. I think I'm less cranky but we'd have to take a poll to see. Still clumsy. Confused to find parts of the world where they are. I don't see things as they are. I think it's weird that nicotine could change my spatial awareness. I must have traumatized A who didn't want to ask me how I was last night because I've quit smoking. I guess I get that. N just came out of his room looking awful. He' s home sick which hardly ever happens. I'm going to get him bubbly water when I get the cat food. God this is the worst sort of drivel right now. It's like mindless tweeting except there are no character restrictions. I like how I'm reading character more than one way in that last sentence. This is one of my worst fears you know. Writing a boring words one after another because that's all that's in my head. 

But of course while I'm typing this I'm am thinking what I"m not writing. Which is that I figured out who that person is in the bag. If I were writing fiction she'd be me, or my dead mother or something like that. But I'm pretty sure that woman was a younger S. The S who died. The S that I so adore. I can't imagine why she'd be a danger to me. I heard something about a two month anniversary. I know that A is moving from the house (which was creepy) but I think it feels like a tie to me and I don't think I knew I'd never not be there again listening to a dead woman tell me her house is getting dusty. Because it is. I don't know how I know that but I do. It's getting dusty. I'm still writing around it. Writing around what wants to be written is a good way to write flat fizzyless writing. 

I miss her. I haven't really grieved her. Now I'm fucking crying all over my toothpick. God I hate that shit. So all that dreaming and that heavy bag and this slow moving writing can boil down to something simple like I miss her. I miss the time I didn't get to spend with her. I miss that I had a lifetime of people who hated me in the guise of family and so much less time, an infinitesimal amount of time with a good woman who loved me because I made her girl laugh. That's how It started. We also bonded when A was at Highland getting abysmal nursing care if any because they were afraid of her. Women with beards can still be scary I guess. Even in 2012. S and I bonded in our rage and revenge plots and talking smack about what we'd do to who and for how long. If we'd been around each other when we were both younger we'd have been in trouble I think. 

Where did we land today? I don't even know for sure.  That's the other thing about not smoking. It's harder to make connections, to see past the immediate. 

How about this as a prompt and please know you can always make these funny or nonsensical: 

In a dream or in reality you or a character are carrying something very heavy in a large well constructed bag. Is it cloth or plastic? Canvas? There is some urgency here. You or the character needs to get out of sight for a minute. When you are someplace safe they pause and look around then...
Opening the bag up ....what or who do you see? 

Go for twelve minutes if you can. If the writing is moving, go longer. Why not? 

It doesn't have to be a person or serious. It could be a shit ton of sardines. Or mangos. Or books or???? 

All the possibilities...

I really like this poem. I want to live in it awhile. I want a duffel bag instead of the bag I was carrying last night- I like this poem but I suspect that won't be true for all of  you. I have a weakness for these settings. A part of me wants to be like this when I grow up. Instead I'm sucking on a tooth pick grieving dead women and cigarettes and good writing. 

The Duffel Bag

BY DAVID HARSENT
God’s blood beads on the tarmac and something rough is boiling up
just this side of the vanishing point, so it’s probably time to get

off this stretch of blacktop and into the wayside bar, where every cup
runneth over and you breast a thickening fret

of stogie smoke to get to the dank back room where a high stakes game
turns against you despite your trey of jacks, and soon enough   

you’re in way over your head with nothing and no one to blame
but the luck you’ve been getting since first you threw your stuff

into a duffel bag and hooked up with the halt and lame,
with the grifters and drifters, the die-hards, the masters of bluff,

the very bastards, in fact, who are lifting the last of your stash. . .
So it’s into the crapper and out through the window—you’re free

to do whatever you must, so long as that purple-and-yellow blush
in the sky doesn’t mean what it seems, so long as that lick of flame

from the hard-shoulder spillage doesn’t travel as far as the scree
of garbage in the lay-by, so long as that’s not your name

in the red top front-page splash on the trailer-trash kidnappee. . .
Just keep to the shadow-side, keep in under the lee

of roadside billboards, bed down in the roadside scrub, your dream
of Ithaca, that ghost town, though the rest is mystery—

what brought you to this and who might take the blame,
and how to get from the open road to a sight of the open sea.
Source: Poetry (September 2008).


****
what brought you to this and who might take the blame,
and how to get from the open road to a sight of the open sea.

****

you’re in way over your head with nothing and no one to blame
but the luck you’ve been getting

****
you’re free

to do whatever you must, so long as that purple-and-yellow blush
in the sky doesn’t mean what it seems, so long as that lick of flame

****

Just keep to the shadow-side, keep in under the lee

of roadside billboards, bed down in the roadside scrub, your dream
of Ithaca, that ghost town, though the rest is mystery—

****

what brought you to this and who might take the blame,
and how to get from the open road to a sight of the open sea. 

These words stay with me. What brought you to this and who might take the blame. This is what I will write to today. 

What about you? 

Can you write today? Do you have the space to carve out some time that is just for you and fill it with words or even just wondering?  If you can take that space just for you. If you have a door lock it. If you don't have a door do the best you can. The cat is waiting patiently for me to finish this prompting. I haven't had breakfast yet and N went back to bed without his fizzy water. I made the world wait while I took this time. Sometimes we can do that and sometimes we can't. If you can take it. It's your own life and your own time that your spending. Spend some on you. And if that looks like writing write and write and write. If that looks like a bubble bath or a bagel in solitude or a good book that is good too. Do it all the way. 

Someday we'll all be in heavy bags in someone's dream. Time to make a mark while we are still here with all our attention and intention. 

May this day be good to you and your creative. 


Prompt # 102

Sunday morning. I'm still soaked in words from yesterday's reading event. It was so good to hear the different styles of writing and different voices. We got the opportunity to read another writer's work because she wanted to listen to her own writing. I liked that idea. It seems like a great way to get the sense of tone and how the writing sounds to listen to someone else read it. 

Last night was good food and conversation and listening and reading and for me, tooth picks that tasted like the white wine I drank. There were times that were peaceful and times I could feel the addiction/tobacco craving crawling up into my throat. I'm at the crying for no apparent reason phase of quitting. I hate that so much.

 I woke up with my heart racing or skipping most of the night it's like a record that hits a scratch and skips, pauses, skips again. I'm tired this morning and brain fogged. The cat is being patient about his food. No yowling. He's just curled up on the bed. When I have a bad night so does he. He's tired too. 

What do I have to say today besides this round about ramble? 

I come back around to the great joy I find in writing community. The gathering together to read and listen and talk about writing or other things in our lives. To celebrate successes and just that wonderful energy that happens when we are in a group, reading our words and the richness of difference, in voice, style and form. If you can get to events like these do- if you can't, read your writing to a friend, or over the phone or to yourself. There's power in the sound of your words in the air. 

With that in mind- it's Sunday. How about you tell yourself a story out loud? One of your own or someone else's that you like. Get yourself something you like to drink and a good place to sit and read to you awhile, listen to your voice and the voice of the piece. Whether it's yours or someone else's notice what you like, what stays with you. 

If today is a work day for you see if you can carve out some space for actual rest. Quiet. No noise peaceful resting. That's where the dreaming grows and in that dreaming comes writing, comes art. 

****

She never thought it would happen on a Sunday. 

****

This is what the thunder said...

****

When she gets loud like that I just want to...

****

He never told us where he was going he just left. 

****

The singing changed everything. 

****

So this is a long poem for a Sunday and not the perfect poem for today but the cat has to eat and I might have to go to Church today since they are having some big celebration about being welcoming and affirming and since I'm one of the queer women they welcome and affirm it might be nice to show up. I'm going in my jeans today though and a comfy t shirt. That's as good as it gets today. I'll feel bad when I see Sp, who I used to work with back in the day who is a grounds keeper now and always wears a tie on Sundays to let us in to the building. He isn't part of the church. He is a part of my past and it's strange to see him shaking his head in disapproval at me in his tie when I remember telling  him to quit trying to hide his beer bottles in the bathroom because he was going to get caught. I believe I told him to just put them in his pocket under his apron- (is that a beer bottle in your pocket or are you happy to see us) till he could throw them away. 

It's good to see him looking happy. He always smells like mouthwash and breath mints and he slicks back his hair on Sunday's like he was five. I don't know how old he is. He always looked old and acted  young for his age so I don't remember. He's got to be younger than me. It's good to see him in a different space, in a life he's made good for himself. I like that. I used to give him a bad time back in the day but only when he didn't do his job. I got impatient with anyone who didn't do their job. I get that impatient with me too. 


the poem- I love the title- An Octave Above Thunder I could write to that.  This is an interesting poem to read out loud. Lots of places to jump off of or climb into. 

I hope this day is good to you and your creative. 



An Octave Above Thunder

 
by Carol Muske-Dukes

                                       ... reverberation
                              Of thunder of spring over distant mountains
                              He who was living is now dead
                              We who were living are now dying
                              With a little patience.

                                            --T. S. Eliot,
                                            "What the Thunder Said"

1

She began as we huddled, six of us,
in the cellar, raising her voice above
those towering syllables...

Never mind she cried when storm candles
flickered, glass shattered upstairs.
Reciting as if on horseback,
                   she whipped the meter,

trampling rhyme, reining in the reins
of the air with her left hand as she 
stood, the washing machine behind her
              stunned on its haunches, not spinning.

She spun the lines around each other,
her gaze fixed. I knew she'd silenced
a cacophony of distractions in her head,
              to summon what she owned, rote-bright:

                             Of man's first disobedience,
                                        and the fruit...
                              of the flower in a crannied wall
                              and one clear call...

for the child who'd risen before school assemblies:
eerie Dakota rumble that rolled yet never brought
rain breaking over the podium. Her voice rose,
                        an octave above thunder:

When I consider how my light is spent--
I thought of her light, poured willy-nilly.
in this dark world and wide: half-blind, blind,
a widening distraction Getting and spending
 we lay waste our powers...Different poem, a trick!

Her eyes singled me out as the wind slowed.
Then, reflective, I'd rather be / a Pagan
 sucked in a creed outworn / than a dullard
                         with nothing by heart.

It was midsummer, Minnesota. In the sky,
the Blind Poet blew sideways, his cape spilling
rain. They also serve! she sang, hailing
                                  closure

as I stopped hearing her. I did not want to
stand and wait. I loathed nothing so much
as the forbearance now in her voice,
              insisting that Beauty was at hand,

but not credible. I considered
how we twisted into ourselves to live.
When the storm stopped, I sat still,
                             listening.

Here were the words of the Blind Poet--
crumpled like wash for the line, to be
dried, pressed flat. Upstairs, someone called
                   my name. What sense would it ever

make to them, the unread world, the getters and spenders, 
if they could not hear what I heard,
              not feel what I felt
              nothing ruined poetry, a voice revived it,
                                              extremity.

Prompt # 101


Here's what's good about today. Waking up with energy and my legs didn't feel 
heavy when I went to get the yowling cat more food. The air felt good against my 
skin and in my chest. I can feel like I'm close. Close to the body tipping over 
into feeling so much better that I can see it. Close to some pay off for the 
misery of the ache and twitch of wanting a cigarette. It's good this happens first 
because what usually happens at some point is that I get really sick, my lungs 
spaz and I have some kind of crazy asthma crisis. 

So it's good to get this little bit of feeling better. I am wide awake. 
Here's what's scary about today. I can't pick something up without dropping it. 
Just getting the cat his food and making myself a piece of high protein toast I 
dropped everything in the kitchen. My son, who has a day off and isn't feeling 
well staggered into the kitchen to make sure everything was alright. I dropped 
plates and cutting boards and glasses and silverware. I bumped into the stove and 
knocked the cayenne over so that our house is sprinkled in dangerous red powder. 

And what about the writing. I'd like to write something new to read tonight at the reading salon. I don't feel confident about it at all. I feel like the words are all poking at me, all angry and bitter. Writing is like that argument you never have because you won't get that angry with someone you love only it's happening. Writing is an opening and once that opening happens it will all pour out and it isn't all pretty. I can feel it just waiting, mean writing, angry writing sharp and pointy and not pretty writing. The kind of writing I do and must immediately have a cigarette to mute it down inside. 

So not afraid of the writing today but resigned. I know what the colors are going to be. I feel them, all in reds and maybe some black. The words are all red and dangerous like the cayene all over my house. 

Sometimes when it feels like that inside it's a great time to write about sex. Like when you can pick a fight with a partner or do something else. I probably won't write about sex. I'll probably write something caustic instead but that doesn't mean you can't. If you want to. Sometimes it can be liberating, fun, surprising and full of change. We can play with sexuality, gender, power and we can play out ourselves or our characters in ways that break past our limitations whether we grew up in trauma or not. 

So todays challenge to  you- am I daring you? It's just to write. 
Now if you felt anxious or curious about the thought that the dare was to write sex, write some sex. Even if it's just in a circling way. You could set the scene for something to happen, or set a mood or write around it in ways that aren't really about sex at all like the poems I found today. Or you could zero in on one thing- a hand and it's placement where? What do those fingers feel like against whose skin? What a story right there in a hand. Or a mouth. Or the skin at the back of a neck. 

The poems are titled Safe Sex and Fish Fucking. They were both surprises for me so I share them with you this Saturday morning. 

You can always make a list of places or body parts or states of being or all three.... 

Oakland.....elbow....content 
and scramble them 

I am content in this place, this home in Oakland where I elbow my way in between you and duck down on the roof and watch the city move down below, secrure in my perch. 

or 

Hand... Ocean... Anger 

Lists are fun. Combining them can be a great way to make your own prompts. 

Whether you write sex or not I hope you make some time to write today, of think about writing, dream a little about characters bumping into each other in surprise or anger or flirtation or memmory. 

Take ten minutes or twenty or if you have time take a writing nap. Read a little before you lay down and let yourself drift and see what kind of waking dreams or sleeping dreams you have. When you wake up (if your time is limited you can set an alarm) go straight for the paper and write for ten minutes at least and see what comes. This requires a luxury of time without guilt, without pressure, which can be hard to find but if not this weekend, make a date for luxury of time dream writing soon. It can take the work in surprising places. 

May this day be good to you and your creative. 








Safe Sex

 
by Donald Hall

If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;

if she has grown insensible skin under skin; if they desire
only the tribute of another’s cry; if they employ each other

as revenge on old lovers or families of entitlement and steel—
then there will be no betrayals, no letters returned unread,

no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated

apparition of a body floating face-down at the pond’s edge


Fish Fucking

 
by Michael Blumenthal

This is not a poem about sex, or even
   about fish or the genitals of fish, 
So if you are a fisherman or someone interested
   primarily in sex, this would be as good a time
As any to put another worm on your hook 
   or find a poem that is really about fucking. 

This, rather, is a poem about language, 
   and about the connections between mind and ear
And the strange way a day makes its tenuous
   progress from almost anywhere. 

Which is why I've decided to begin with the idea
   of fish fucking (not literally, mind you, 
But the idea of fish fucking), because the other
   day, and a beautiful day it was, in Virginia
The woman I was with, commenting on the time
   between the stocking of a pond and the 

First day of fishing season, asked me if this
   was perhaps because of the frequency with which
Fish fuck, and—though I myself know nothing at all
   about the fucking of fish—indeed, I believe 

From the little biology I know that fish do not
   fuck at all as we know it, but rather the male
Deposits his sperm on the larvae, which the female, 
   in turn, has deposited—yet the question 
Somehow suggested itself to my mind as the starting
   point of the day, and from the idea of fish 

Fucking came thoughts of the time that passes
   between things and our experience of them, 
Not only between the stocking of the pond and our
   being permitted to fish in it, but the time, 

For example, that passes between the bouncing
   of light on the pond and our perception of the
Pond, or between the time I say the word jujungawop
   and the moment that word bounces against your 
Eardrum and the moment a bit further on when the
   nerves that run from the eardrum to the brain 

Inform you that you do not, in fact, know 
   the meaning of the word jujungawop, but this,
Perhaps, is moving a bit too far from the idea of 
   fish fucking and how beautifully blue the pond was 

That morning and how, lying among the reeds atop 
   the dam and listening to the water run under it, 
The thought occurred to me how the germ of an idea
   has little to do with the idea itself, and how 
It is rather a small leap from fish fucking to the
   anthropomorphic forms in a Miró painting, 

Or the way certain women, when they make love,
   pucker their lips and gurgle like fish, and how
This all points out how dangerous it is for a 
   man or a woman who wants a poet's attention 

To bring up an idea, even so ludicrous and 
   biologically ungrounded a one as fish fucking,
Because the next thing she knows the mind is taking 
   off over the dam from her beautiful face, off 
Over the hills of Virginia, perhaps as far as Guatemala 
   and the black bass that live in Lake Atitlán who 

Feast on the flightless grebe, which is not merely
   a sexual thought or a fishy one, but a thought 
About the cruelty that underlies even great beauty,
   the cruelty of nature and love and our lives which 

We cannot do without and without which even the idea
   of fish fucking would be ordinary and no larger than
Itself, but to return now to that particular day, and to 
   the idea of love, which inevitably arises from the 
Thought that even so seemingly unintelligent a creature
   as a fish could hold his loved one, naked in the water, 

And say to her, softly, Liebes, mein Lubes; it was 
   indeed a beautiful day, the kind filled with anticipation 
And longing for the small perfections usually found only 
   in poems; the breeze was slight enough just to brush 

A few of her hairs gently over one eye, the air was
   the scent of bayberry and pine as if the gods were
Burning incense in some heavenly living room, and
   as we lay among the reeds, our faces skyward, 
The sun fondling our cheeks, it was as if each 
   time we looked away from the world it took 

On again a precise yet general luminescence when we 
   returned to it, a clarity equally convincing as pain 
But more pleasing to the senses, and though it was not 
   such a moment of perfection as Keats or Hamsun 

Speak of and for the sake of which we can go on for 
   years almost blissful in our joylessness, it was 
A day when at least the possibility of such a thing 
   seemed possible: the deer tracks suggesting that 
Deer do, indeed, come to the edge of the woods to feed
   at dusk, and the idea of fish fucking suggesting 

A world so beautiful, so divine in its generosity 
   that even the fish make love, even the fish live 
Happily ever after, chasing each other, lustful 
   as stars through the constantly breaking water.